Research:

• Computer Music
• Scoring Interactive Media
• Interactive/Adaptive Music
• Expressive Performance
• Music Analysis

Publications:

• T. Hähnel, and A. Berndt,
  Expressive Articulation for Synthetic Music Performances,
  in: New Interfaces for Musical Expression (NIME++) 2010,
  University of Technology, Sydney, Australia,
  June 2010.
• A. Berndt,
  Decentralizing Music, Its Performance, and Processing,
  in: The International Computer Music Conference (ICMC) 2010,
  Stony Brook University, New York, USA,
  June 2010.
• A. Berndt,
  Diegetic Music: New Interactive Experiences,
  in: M. Grimshaw (ed.)
  Game Sound Technology and Player Interaction: Concepts and Developments,
  IGI Global, Bolton, UK, 2010.
• A. Berndt, and T. Hähnel,
  Expressive Musical Timing,
  in: Audio Mostly - Sound and Emotion,
  Glasgow Caledonian University, UK,
  September 2009.
• A. Berndt,
  Musical Nonlinearity in Interactive Narrative Environments,
  in: G. Scavone, V. Verfaille, and A. da Silva (eds.)
  The International Computer Music Conference (ICMC) 2009,
  McGill University, Montreal, Canada,
  August 2009.
• A. Berndt, and H. Theisel,
  Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,
  in: U. Spierling and N. Szilas (eds.)
  Interactive Digital Storytelling (ICIDS) 2008,
  Springer-Verlag Berlin Heidelberg,
  University of Applied Sciences Erfurt, Germany,
  November 2008, pp. 132-143.
  

  Demo 1:	CompleteWalkthrough, Mixup1, Mixup2
  Demo 2:	CompleteWalkthrough, Mixup1, Mixup2, Mixup3

• A. Berndt, and K. Hartmann,
  The Functions of Music in Interactive Media,
  in: U. Spierling and N. Szilas (eds.)
  Interactive Digital Storytelling (ICIDS) 2008,
  Springer-Verlag Berlin Heidelberg,
  University of Applied Sciences Erfurt, Germany,
  November 2008, pp. 126-131.
• L. Stockmann, A. Berndt, and N. Röber,
  A Musical Instrument based on Interactive Sonification Techniques,
  in: Audio Mostly - 3rd Conference on Interaction with Sound,
  School of Music at Luleå University of Technology, Piteå, Sweden,
  October 2008.
• A. Berndt,
  Liturgie für Bläser (transl.: Liturgy for Brass),
  Musikverlag Bruno Uetz, Halberstadt, Germany,
  June 2007, 2nd edn. January 2008.
• A. Berndt and K. Hartmann,
  Strategies for Narrative and Adaptive Game Scoring,
  in: Audio Mostly - 2nd Conference on Interaction with Sound,
  Ilmenau, Germany, September 2007, pp. 141-147.
• A. Berndt and K. Hartmann,
  Audio-Interactive Counterpoint,
  in: Sound, Music, and the Moving Image Conference,
  Institute of Musical Research, London, September 2007.
• K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange,
  Interactive Data Mining & Machine Learning Techniques for Musicology,
  in: 3rd Conference on Interdisciplinary Musicology,
  Tallin, Estonia, August 2007.
• A. Berndt, K. Hartmann, N. Röber, and M. Masuch,
  Composition and Arrangement Techniques for Music in Interactive Immersive Environments,
  in: Audio Mostly - A Conference on Sound in Games,
  School of Music at Luleå University of Technology, Piteå, Sweden,
  October 2006, pp. 53-59.
  Demo 1, Demo 2
• A. Berndt,
  Repräsentation musikalischer Metainformationen,
  Diploma thesis, Otto-von-Guericke University, Department of Simulation and Graphics,
  Magdeburg, Germany, January 2006.
• W. Chigona, K. Hartmann, A.Berndt, S. Mirschel, and Th. Strothotte,
  Navigating Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features,
  in: Th. Schulze, S. Schlechtweg, and V. Hinz (eds.),
  Simulation und Visualisierung 2003,
  Magdeburg, Germany, March 2003, pp. 129-138.

Lecture:

• Musik im Computerspiel
• Seminar Computermusik

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