Research:

• Computer Music
• Scoring Interactive Media
• Interactive/Adaptive Music
• Expressive Performance
• Generative Music
• Music Analysis

Publications:

• T. Hähnel and A. Berndt
  Eighth-Notes Performances: Kinds of Inégalité,
  in: Audio Mostly: 6th Conf. on Interaction with Sound - Sound and Context,
  University of Coimbra, Interactive Institute/Sonic Studio, ACM SIGCHI,
  Coimbra, Portugal, September 2011, pp. 75-81.
• A. Berndt,
  Musical Tempo Curves,
  in: M. Clarke, M. Adkins, and B. Isaacs (eds.)
  The International Computer Music Conference (ICMC) 2011,
  International Computer Music Association, University of Huddersfield,
  Huddersfield, UK, August, 2011, pp. 118-121.
• A. Berndt
  Musik für interaktive Medien: Arrangement- und Interpretationstechniken
  PhD thesis, Otto-von-Guericke University, Faculty of Computer Science,
  Magdeburg, Germany, July 2011, Verlag Dr. Hut.
  Amazon link
  
• A. Berndt,
  Diegetic Music: New Interactive Experiences,
  in: M. Grimshaw (ed.)
  Game Sound Technology and Player Interaction: Concepts and Developments,
  IGI Global, Hershey, PA, 2011, pp. 60-76.
• T. Hähnel and A. Berndt,
  Studying Interdependencies in Music Performance: An Interactive Tool,
  in: New Interfaces for Musical Expression (NIME) 2011,
  University of Oslo, Norwegian Academy of Music, Oslo, Norway,
  June, 2011, pp. 48-51.
• A. Berndt and T. Hähnel,
  Modelling Musical Dynamics,
  in: Audio Mostly: 5th Conf. on Interaction with Sound - Sound and Design,
  Interactive Institute/Sonic Studio, ACM, Piteå, Sweden,
  September 2010, pp. 134-141.
  Best Presentation Award
• T. Hähnel and A. Berndt,
  Synthetic and Pseudo-Synthetic Music Performances: An Evaluation,
  in: Proc. of the 3rd Int. Conf. of Students of Systematic Musicology (SysMus10),
  University of Cambridge, Cambridge, UK,
  September 2010.
• T. Hähnel and A. Berndt,
  Expressive Articulation for Synthetic Music Performances,
  in: New Interfaces for Musical Expression (NIME) 2010,
  University of Technology Sydney, Australia,
  June 2010, pp. 277-282.
  Demos: G.P. Telemann Allegro from D-Major Flute Concert (extracts): solo extract, full orchestra
  
  • Related Paper:
    T. Hähnel,
    From Mozart to MIDI: A Rule System for Expressive Articulation,
    in: New Interfaces for Musical Expression (NIME) 2010,
    University of Technology Sydney, Australia,
    June 2010, pp. 72-75.
    Demos: G.P. Telemann Fantasies for Flute solo (extracts): flat articulation, expressive articulation, expressive with varying tempo
• A. Berndt,
  Decentralizing Music, Its Performance, and Processing,
  in: M. Schedel and D. Weymouth (eds.)
  The International Computer Music Conference (ICMC) 2010,
  Stony Brook University, New York, USA,
  June 2010, pp. 381-388.
  Demos (performance style changes were triggered interactively, interaction is indicated by "bing" sounds):
  G.P. Telemann Grave (TWV 51:D7): Style 1, Style 2, Mixup
  G.P. Telemann Menuett (TWV 55:A2): Mixup
• A. Berndt and T. Hähnel,
  Expressive Musical Timing,
  in: Audio Mostly: 4th Conf. on Interaction with Sound - Sound and Emotion,
  Glasgow Caledonian University, Interactive Institute/Sonic Studio,
  Glasgow, UK, September 2009, pp. 9-16.
• A. Berndt,
  Musical Nonlinearity in Interactive Narrative Environments,
  in: G. Scavone, V. Verfaille, and A. da Silva (eds.)
  The International Computer Music Conference (ICMC) 2009,
  McGill University, Montreal, Canada,
  August 2009, pp. 355-358.
• A. Berndt and H. Theisel,
  Adaptive Musical Expression from Automatic Realtime Orchestration and Performance,
  in: U. Spierling and N. Szilas (eds.)
  Interactive Digital Storytelling (ICIDS) 2008,
  Springer-Verlag Berlin Heidelberg,
  University of Applied Sciences Erfurt, Germany,
  November 2008, pp. 132-143.
  Demo 1: CompleteWalkthrough, Mixup1, Mixup2
  Demo 2: CompleteWalkthrough, Mixup1, Mixup2, Mixup3
  
• A. Berndt and K. Hartmann,
  The Functions of Music in Interactive Media,
  in: U. Spierling and N. Szilas (eds.)
  Interactive Digital Storytelling (ICIDS) 2008,
  Springer-Verlag Berlin Heidelberg,
  University of Applied Sciences Erfurt, Germany,
  November 2008, pp. 126-131.
• L. Stockmann, A. Berndt, and N. Röber,
  A Musical Instrument based on Interactive Sonification Techniques,
  in: Audio Mostly: 3rd Conf. on Interaction with Sound,
  Interactive Institute/Sonic Studio, Piteå, Sweden,
  October 2008, pp. 72-79.
• A. Berndt and K. Hartmann,
  Strategies for Narrative and Adaptive Game Scoring,
  in: Audio Mostly - 2nd Conf. on Interaction with Sound,
  Fraunhofer IDMT, Ilmenau, Germany, September 2007, pp. 141-147.
• K. Hartmann, D. Büchner, A. Berndt, A. Nürnberger, and C. Lange,
  Interactive Data Mining & Machine Learning Techniques for Musicology,
  in: 3rd Conference on Interdisciplinary Musicology,
  Tallin, Estonia, August 2007.
• A. Berndt, K. Hartmann, N. Röber, and M. Masuch,
  Composition and Arrangement Techniques for Music in Interactive Immersive Environments,
  in: Audio Mostly - A Conf. on Sound in Games,
  Interactive Institute/Sonic Studio, Piteå, Sweden,
  October 2006, pp. 53-59.
  Demo 1, Demo 2
• A. Berndt,
  Repräsentation musikalischer Metainformationen,
  Diploma thesis, Otto-von-Guericke University, Department of Simulation and Graphics,
  Magdeburg, Germany, January 2006.
• W. Chigona, K. Hartmann, A.Berndt, S. Mirschel, and Th. Strothotte,
  Navigating Tools for Text Embedded within Complex-Shaped Area Features and Meandering Linear Features,
  in: Th. Schulze, S. Schlechtweg, and V. Hinz (eds.),
  Simulation und Visualisierung 2003,
  Magdeburg, Germany, March 2003, pp. 129-138.

Invited Talks:

• A. Berndt,
  Der Computer als Komponist und Interpret der Zukunft?,
  in: Meeting of the Gesellschaft für Informatik (GI),
  Gesellschaft für Informatik, Magdeburg, Germany, April 2011.
• A. Berndt and T. Hähnel,
  Der Computer als Interpret,
  in: Gespräche um Telemann,
  Zentrum für Telemann-Pflege und -Forschung Magdeburg, Germany, October 2009.
• A. Berndt and K. Hartmann,
  Audio-Interactive Counterpoint,
  in: Sound, Music, and the Moving Image Conference,
  Institute of Musical Research, London, UK, September 2007.

Sheet Music:

• A. Berndt,
  Nun sich der Tag geendet hat,
  in: F. Plewka, M. Schmeiß, T. Sterzig, and J. Häußler (eds.)
  Mitteldeutsches Bläserheft,
  Strube Verlag, Munich, Germany, January 2012.
• A. Berndt,
  Liturgie für Bläser (transl.: Liturgy for Brass),
  Musikverlag Bruno Uetz, Halberstadt, Germany,
  June 2007, 2nd edn. January 2008.

Lecture:

• Musik im Computerspiel
• Seminar Computermusik

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