@inproceedings{Chua:1988:UIS,
  opteditor = {},
  optpostscript = {},
  optorganization = {},
  author = {Chua, Yap Siong and Charles N. Winton},
  optkey = {},
  optannote = {},
  optseries = {},
  address = {New York},
  localfile = {papers/Chua.1988.UIS.pdf},
  optisbn = {},
  publisher = {ACM Press},
  optkeywords = {},
  doi = {http://doi.acm.org/10.1145/322609.322785},
  optmonth = {},
  optciteseer = {},
  opturl = {},
  optcrossref = {},
  optwww = {},
  booktitle = {Proceedings of the Sixteenth Annual ACM Conference on Computer
               Science 1988 (Atlanta, Georgia)},
  optvolume = {},
  optnumber = {},
  abstract = {CAD and graphics packages running on microcomputers are becoming
              increasingly popular for applications such as business charts,
              engineering designs, and computer art. Such packages typically
              provide a choice of different line styles and widths for creating
              drawings and images. Text is usually created using the fonts
              provided by the packages. Variations from the pre-defined line
              styles and fonts are allowed but are usually defined in an
              awkward, pixel by pixel process. Certain drawing and writing
              implements, specifically calligraphic pens and brushes, do not
              migrate naturally to a raster-display, keyboard-entry,
              mouse-dragging environment. This paper describes a user interface
              being developed at the University of North Florida Center for
              Human-Machine Studies to simulate calligraphic pens and brushes
              for use in a low cost environment, namely, a microcomputer
              equipped with a mouse device. This is the environment chosen
              simply because of its availability and also due to lack of a low
              cost (or even a high cost) input device that allows a natural
              simulation of painting or drawing with calligraphic pens and
              brushes. The interface along with underlying algorithms and data
              structures is described. Some example characters and “art work”
              are also presented. The objective of the interface is to allow the
              production of such characters and “art work” using the concept of
              a more natural “brush stroke” rather than a pixel-by-pixel or
              manual-outline and painting process.},
  title = {{A} {U}ser {I}nterface for {S}imulating {C}alligraphic {P}ens and
           {B}rushes},
  year = {1988},
  pages = {408--413},
}