@article{Krikke:2006:CGA,
  optpostscript = {},
  number = {3},
  month = {may/jun},
  author = {Jan Krikke},
  optkey = {},
  optannote = {},
  localfile = {papers/Krikke.2006.CGA.pdf},
  optkeywords = {},
  doi = {http://dx.doi.org/10.1109/MCG.2006.53},
  optciteseer = {},
  journal = j-IEEE-CGA,
  opturl = {http://doi.ieeecomputersociety.org/10.1109/MCG.2006.53},
  volume = {26},
  optwww = {},
  title = {{C}omputer {G}raphics {A}dvances the {A}rt of {A}nime},
  abstract = {Japan's animation industry leads the world with output of 2D
              animation. The continuing focus on 2D is partly economic (lower
              production cost) and partly aesthetic. Japan's traditional
              pictorial language, the antithesis of Western optical realism,
              matches the visual immediacy of animation. Several Japanese
              studios are blending 2D and 3D, a hybrid approach that mixes
              nonphotorealistic rendering and optical realism. The most notable
              example is Appleseed, a feature-length animation movie that
              explores a new visual language for computer graphics.},
  pages = {14--19},
  year = {2006},
}