@inproceedings{Ostromoukhov:1994:RDD,
optcitations = {Floyd:1976:AAS,Knuth:1987:DHD,Ulichney:1987:DH},
optnote = {},
optorganization = {},
author = {Victor Ostromoukhov and Roger D. Hersch and Isaac Amidror},
series = CGPACS,
optannote = {ISBN 0-89791-667-0},
editor = {Andrew Glassner},
url = {http://www.iro.umontreal.ca/~ostrom/publications/abstracts.html#SIGGRAPH94_RotatedDither},
address = {New York},
localfile = {papers/Ostromoukhov.1994.RDD.pdf},
publisher = {ACM Press/ACM SIGGRAPH},
doi = {http://doi.acm.org/10.1145/192161.192188},
optmonth = {},
citeseer = {http://citeseer.nj.nec.com/ostromoukhov94rotated.html},
booktitle = SIGGRAPH94,
optstatus = {OK},
title = {{R}otated {D}ispersion {D}ither: a {N}ew {T}echnique for {D}igital
{H}alftoning},
abstract = {Rotated dispersed-dot dither is proposed as a new dither technique
for digital halftoning. It is based on the discrete one-to-one
rotation of a Bayer dispersed-dot dither array. Discrete rotation
has the effect of rotating and splitting a significant part of the
frequency impulses present in Bayer’s halftone arrays into many
low-amplitude distributed impulses. The halftone patterns produced
by the rotated dither method therefore incorporate fewer
disturbing artifacts than the horizontal and vertical components
present in most of Bayer’s halftone patterns. In grayscale wedges
produced by rotated dither, texture changes at consecutive gray
levels are much smoother than in error diffusion or in Bayer’s
dispersed-dot dither methods, thereby avoiding contouring effects.
Due to its semi-clustering behavior at mid-tones, rotated
dispersed- dot dither exhibits an improved tone reproduction
behavior on printers having a significant dot gain, while
maintaining the high detail rendition capabilities of
dispersed-dot halftoning algorithms. Besides their use in black
and white printing, rotated dither halftoning techniques have also
been successfully applied to in-phase color reproduction on
ink-jet printers.},
year = {1994},
pages = {123--130},
}
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