@inproceedings{Ostromoukhov:1995:AS,
optcitations = {Sederberg:1992:PBA,Unichney:1987:DH,Winkenbach:1994:CGP},
author = {Victor Ostromoukhov and Roger D. Hersch},
series = CGPACS,
editor = {Robert Cook},
url = {http://www.iro.umontreal.ca/~ostrom/publications/abstracts.html#SIGGRAPH95_ArtisticScreening},
localfile = {papers/Ostromoukhov.1995.AS.pdf},
address = {New York},
publisher = {ACM Press},
doi = {http://doi.acm.org/10.1145/218380.218445},
optmonth = aug,
organization = {ACM SIGGRAPH},
citeseer = {http://citeseer.nj.nec.com/ostromoukhov95artistic.html},
booktitle = SIGGRAPH95,
optstatus = {},
title = {{A}rtistic {S}creening},
abstract = {Artistic screening is a new image reproduction technique
incorporating freely created artistic screen elements for
generating halftones. Fixed predefined dot contours associated
with given intensity lev- els determine the screen dot shape's
growing behavior. Screen dot contours associated with each
intensity level are obtained by inter- polation between the fixed
predefined dot contours. A user-defined mapping transforms screen
elements from screen element definition space to screen element
rendition space. This mapping can be tuned to produce various
effects such as dilatations, contractions and nonlinear
deformations of the screen element grid. Discrete screen elements
associated with all desired intensity levels are obtained by
rasterizing the interpolated screen dot shapes in the screen
element rendition space. Since both the image to be reproduced and
the screen shapes can be designed independently, the design
freedom offered to artists is very great. The interaction between
the image to be reproduced and the screen shapes enables the
creation of graphic designs of high artistic quality. Artistic
screening is particularly well suited for the reproduction of
images on large posters. When looked at from a short distance, the
poster's screening layer may deliver its own message. Furthermore,
thanks to artistic screen- ing, both full size and microscopic
letters can be incorporated into the image reproduction process.
In order to avoid counterfeiting, banknotes may comprise grayscale
images with intensity levels produced by microletters of varying
size and shape.},
pages = {219--228},
year = {1995},
}
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