@inproceedings{Park:2006:MMG,
  optpostscript = {},
  optorganization = {},
  author = {Youngsup Park and Kyung-Hyun Yoon},
  optkey = {},
  optannote = {},
  optseries = {},
  editor = {Jos{\'e} Braz and Joaquim A. Jorge and Miguel Dias and Ad{\'e}ritos
            Marcos},
  url = {http://www.grapp.org/GRAPP2006_Abstracts/Area3.htm},
  address = {Set{\'u}bal, Portugal},
  localfile = {papers/Park.2006.MMG.pdf},
  optisbn = {},
  publisher = {INSTICC -- Institute for Systems and Technologies of Information,
               Control and Communication},
  optkeywords = {},
  optmonth = {},
  optciteseer = {},
  optdoi = {},
  optcrossref = {},
  optwww = {},
  booktitle = {Proceedings of the First International Conference on Computer
               Graphics Theory and Applications (GRAPP 2006, February 25--28,
               2006, Set{\'u}bal, Portugal)},
  optvolume = {},
  optnumber = {},
  abstract = {Painterly animation is a method that expresses images with a
              handpainted appearance from a video, and the most crucial element
              for it is the coherence between frames. A motion map generation is
              proposed in this paper as a resolution to the issue of maintaining
              the coherence in the brush strokes between the frames. A motion
              map refers to the range of motion calculated by their magnitudes
              and directions between the frames with the edge of the previous
              frame as a point of reference. The different methods of motion
              estimation used in this paper include the optical flow method and
              the block-based method, and the method that yielded the biggest
              PSNR using the motion information (the directions and magnitudes)
              acquired by various methods of motion estimation has been chosen
              as the final motion information to form a motion map. The created
              motion map determined the part of the frame that should be
              re-painted. In order to maintain the temporal coherence, the
              motion information was applied to only the strong edges that
              determine the directions of the brush strokes. Also, this paper
              sought to reduce the flickering phenomenon between the frames by
              using the multiple exposure method and the difference map created
              by the difference between images of the source and the canvas.
              Maintenance of the coherence in the direction of the brush strokes
              was also attempted by a local gradient interpolation in an attempt
              to maintain the structural coherence.},
  title = {{M}otion {M}ap {G}eneration for {M}aintaining the {T}emporal
           {C}oherence of {B}rush {S}trokes},
  year = {2006},
  pages = {158--167},
}